The famous Swiss watch brand Audemars Piguet has unveiled a groundbreaking collection called Code 11.59 by Audemars Piguet.
The key design element of the new collection is the insertion of the iconic octagon into a circular case
The famous Swiss watch brand Audemars Piguet has unveiled a groundbreaking collection called Code 11.59 by Audemars Piguet.
The key design element of the new collection is the insertion of the iconic octagon into a circular case.

The production of these fake watches had to involve all the teams of people working in the Audemars Piguet manufacture,the new design was a challenge,traditional production standards had to be questioned and others had to be introduced.
The overall appearance of the collection is completely original Fake Watches
The sapphire crystal has an unconventional profile,the inner surface is shaped like a dome,while the outer surface is vertically curved.
This double curvature of the glass then highlights the details on the dial.
This is dominated by the raised 3D AUDEMARS PIGUET logo in 24kt gold,while the extremely thin bezel then lets the lacquered dial stand out.
The case legs have a lightweight open construction.

At the top,they are attached to a very thin bezel,while their lower part then optically follows the crown.
The thin legs,optimally curved ergonomics and the 41 mm case size ensure that the watch suits every wrist–men’s and women’s.
The watches from the CODE 11.59 collection thus naturally blur the difference between these two product segments.
The six movements of the latest generation include three completely new ones.
These are a flyback chronograph with a controller,a self-winding caliber with central seconds and date,and a flying tourbillon also with a self-winding movement.
All movements(except the minute repeater)are revealed by a transparent sapphire crystal,so it is no wonder that they were decorated with Geneva stripes,engraving and other decorative techniques.
There are thirteen new models with a 41mm case,and it is simply impossible not to choose.

